2008

Alice McCormick and Sarah Rhodes ‘ The Artist’s Lunch’ Murdoch Books2008, pp 148 - 157
Sera Waters, ‘Wonderful World’, Eyeline, No. 65, 2008, pp. 52-54
Sylvain Campeau, ‘OIKOS Habitacles/ Habitable Places’, catalogue SBC Galerie D’Art contemporain, Quebec, March 2008, pp 68 – 71
Hotel Issue, Hotel Suite, Artichoke Magazine 24, pp 83 - 86
Stephen Haley, ‘Double Exposure: Post-photographic practice’, Photofile 84, pp38
Melbourne Art Fair July 2008, Melbourne Art Fair Foundation, pp 178 - 179

2007

Essay by Daniel Palmer and Interview by Karra Rees ‘Anne Zahalka: Hall of Mirrors’, exh. cat. Centre for Contemporary Photography, Melbourne
Karra Rees, ‘Anne Zahalka: Wild Life’, Photofile 79 Summer 2007 pp 48 - 51
Naomi Evans, ‘Anne Zahalka: Wild Life’, HEAT, no. 14, 2007, pp. 97 – 112
Helen Ennis, Photography and Australia, Reaktion Books
Jacqui Taffel, ‘Click and myth approach’, The Hot Seat, Sydney Morning Herald, April 17, 2007
Lynne Minion, ‘A clue to the setting’, in Panorama, The Canberra Times, December 22, 2007, pp. 4-5
David Ellison, ‘Anne Zahalka’, wonderful world, exhibition catalogue, celebrating the University of South Australia’s new Anne & Gordon Samstag Museum of Art, Adelaide, S.A., pp. 48-9
Olivia Poloni, “Hall of mirrors: Anne Zahalka portraits 1987 – 2007”, Art Monthly Australia, July 2007 Number 201, pp. 3 – 6. 
Art Almanac (Cover), April 2007
Suzie Attiwill “Serendipity – Inside Anne Zahalka’s Hall of Mirrors”, Artichoke, 19, 2007, p. 74
Jacqui Taffel, “Click and myth approach”, Sydney Morning Herald, 14 – 15 April 2007, pp. 4 – 5 (Spectrum).
Clara Iaccarino, ‘Wildlife’, The Sydney Morning Herald, 10-11 February 2007, p. 16 (Arts & Entertainment).
Stewart Hawkins, ‘In with the old, in with the new”, The Australian Financial Review, February 17 – 18, 2007, p. 34.
Karra Rees, ‘Anne Zahalka: Wild Life’, Photofile, #79, Summer 2007, pp. 48 - 51

2006

Lori Pauli, Editor ‘ Acting the Part’ National Gallery of Canada, Merrell Publishers Ltd Fig. 45 pp 52
Supercharged: the car in contemporary culture, exhibition catalogue, Institute of Modern Art, Brisbane
Robert Nelson, Anne Zahalka, review of Wonderland, The Age, 8 February2006
The First Post, The Online Daily Magazine, September 23, 2006 http://www.thefirstpost.co.uk/index.php?menuID=0
‘Anne Zahalka’, EXIT, #23, Madrid, Spain, pp. 88 - 93
Juliette Peers, ‘Catatonic Curating’, Artlink, Vol. 26, #1, pp. 28 - 33

2005

Leslie K Brown Jennifer Uhrhane “Leopold Godowosky, Jr. Color photography awards”, In the Loupe July/August 2005 vol 29 Number 4.
Margaret Marsh, Michele Watts and Craig Malyon A.R.T. 2 practice, Oxford University Press, Melbourne 2005 p. 45

2005

‘Supernatural Artificial: Contemporary photo-based art from Australia’, Gertrude Contemporary Art Space and Asialink Centre, Victoria, Australia
Tracey Clement, “Critic’s Picks: My City of Sydney,” Sydney Morning Herald,Dec 31, 2004 – Jan 6, 005, p. 19 (Metro)

2004

The Spirit of Celebrity, Griffith Review 5, pp 97 - 110
Gael Newton, ‘Photographic Australis’, Taipei Fine Art Museum 
Ken Bolton, “Australian Women Artists: Sailing to Tahiti,” Jamini: International Arts Quarterly, November, p. 68 - 79
Robert McFarlane, “Photography: Elusive rhythms of the night,” Sydney Morning Herald (Metropolitan), Tuesday, October 5, p. 15
Dominique Angeloro, “Critic’s Picks: Anne Zahalka,” Sydney Morning Herald, Oct. 1-7, p. 27 (Metro)
Natalie King, “Anne Zahalka: Natural Worlds,” Australian Art Collector, issue 29, July – September 2004, p. 198, 199
Claire Armstrong, “Collector Profile: Dick Quan,” Art & Australia, Vol. 41 No. 4, Winter 2004, p. 615 – 617
Michael Hedger, “Timeless recreations,” The Star, Weekender, February 25, 2004
Jill Stowell, “Portrait of the artist,” The Star, Weekender, February 14 2004                                                                                                                                                                                     
Anne O’Hehir, “Anne Zahalka: How did we get to be here?,” Art & Australia, vol. 41, no. 3, Autumn 2004, p. 410 - 417

2003

Martin Jolly, ‘Writing Archives’, Art Monthly Australia, Dec 03 – Feb 04, No.166, pg 5
Peter Conrad, ‘At Home in Australia’, National Gallery of Australia, Canberra
Lara Travis, “Anne Zahalka,” See Here Now: Vizard Foundation Art Collection of the 1990s, editors Chris MacAuliffe and Sue Harvey, Ian Potter Museum of Art, Thames and Hudson (Australia) Pty Ltd, Victoria, p. 150, 151
Daniel Palmer, “Anne Zahalka,” Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, 2003, p. 68
Stuart Koop, “Same As It Ever Was: photography in the Collection,” Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, 2003, p. 40 - 44
Alasdair Foster, “Interview: Anne Zahalka,” Photofile # 69, August 2003, pp. 19 - 21
Margaret Plant, “The Journey from Field to Fieldwork 1968 – 2003,” Eyeline # 51, Autumn – Winter, 2003, p. 44 - 46
Zara Stanhope, “Take a Good Look at My Face, Love at First Sight: artists and their relationship with the camera,” Eyeline # 51, Autumn – Winter, 2003, p. 26 – 29
Dominique Angeloro, “Critics Picks: Leisureland Regional,” Sydney Morning Herald, (Metro), July 11 – 17, p. 27
Rosalie Higson, “Location is not everything,” The Australian, Friday May 30, p. 14
Peter Hill, “Focus on the Big Picture,” Sydney Morning Herald (Spectrum), May 24-25, p. 12, 13
“Anne Zahalka,” Blaze: Visual Art Writing from the Contemporary Art Centre of South Australia 1990 - 2002, CACSA, Adelaide, p. 19
Stuart Koop, “Fieldwork: Australian Art 1968 – 2002, Broadsheet, vol. 32, no. 1, March, April, May, p. 8 - 11
Julian Raxworthy, “Love at First Sight,” Photofile #68, April, p. 69, 70

2002

Charles Green, “Into the 1990s: the decay of postmodernism,” Fieldwork: Australian Art 1968 – 2002, exh. cat., National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003), p. 100 – 111
6ft + clean: surf + art, exh. cat., Gold Coast City Art Gallery touring exhibition to 2003, Surfers Paradise, Australia, Russell Storer and Daniel Palmer, “Anne Zahalka,” Big (Australia) Magazine
John McDonald, “Old Man River: The Murrumbidgee as inspiration,” The Australian Financial Review, Thursday 14 November 2002, p. 72 (Arts)
Gavin Wilson, ‘The Big River Show: Murrumbidgee Riverine’, Wagga Wagga Art Gallery
2nd Sight Australian Photography in the National Gallery of Victoria, exh. cat., National Gallery of Victoria, Melbourne, 2002, pp. 91, 96
Chris Reid, “Fortresses and Frontiers: Anne Zahalka; High Anxiety: Anne Wallace, Pyjama Girl: Maryanne Lynch, Blush: Annette Bezor - Institute of Modern Art, January 31 – March 9, Brisbane” Eyeline #48, Autumn/Winter 2002, p. 48, 49

2001

Pavel Buchler, Anne Zahalka, Theory Takes a Holiday, Portfolio, UK #31, June
Peter Anderson, Look and Learn, Eyeline
Robert McFarlane, Sydney Morning Herald, Metropolitan, 2nd Feb
Ben Genocchio, Review of Leisureland, The Australian, August 18

2000

Christopher Coppock, ‘Journeys in the Dreamland’ (exh. cat), Ffotogallery, Cardiff, Wales
‘Portfolio’, Portfolio Gallery, London, UK, No. 31, June 2000
“Anne Zahalka,” VCE Art, http://www.vceart.com/artists/zahalka/index.html
Sporting Life, catalogue, Museum of Contemporary Art, Sydney
Sydney Airport, The Art Trail: a guide to experiencing Sydney Airports’ Art at Work
Ben Genocchio, Review Leisureland, The Australian, early August
Programme, Sydney Airports Corporatio n Limited, Sydney

1999

Leisureland, Photofile, No 57, October
Courtney Kidd, Spectrum review, Sydney Morning Herald, 26th August
Anna Clabuburn, Striking, catalogue, Monash Gallery of Art collection
Peter Emmett, Sydney Metropolis + Suburb + Harbour, Museum of Sydney
Robert McFarlane, Review, Sydney Morning Herald, May 10
Sebastian Smee, Exhibitions, Sydney Morning Herald Metro, May
Robert Nelson, Focus on Photographers who click as artists, The Age, October 27
Freda Freiberg, Haimish (review), Like, No. 7, Summer

1998

Bruce James, Galleries, Sydney Morning Herald, March 10

1997

Haimish, (homely), exhibition catalogue, The Jewish Museum, Melbourne
Freda Freiberg, Anne Zahalka: Woven Threads, Photofile no. 51, August
Anne Zahalka, Collecting Insects, cat., Artists in the House
Heike Marx, Von Menschen und Dingen, Rheinpfalz, May 12
Ulrike Soltendiek, Einblicke in den Alltag, Manneheimer Morgen, March 12
Ute Aichele, Open House, Kunst, May
Christopher Allen, Art in Australia - From Colonization to Postmodernism, Thames and Hudson, London
Sarrah Preuhs, Anne Zahalka-Open House, Distanz und Domizil (cat. article), Dresden, Germany
Anne Zahalka, Woven Threads, Community Aid Abroad

1996

Martyn Jolly, Anne Zahalka - Spurs of the Moment ,Art + Text, Vol. 54 1996, pp. 62 - 65.
Peter Weiermair, Prospect-Aspects of Contemporary Photography, Edition Stemmle, Kilchberg/Zurich
Daidalos, Art Architecture Culture, Urban Habitation, #60, June

1994

Anne Zahalka, Gesture cat, Roslyn Oxley9 Gallery, Sydney
Catriona Moore, Manipulated Image, critique, Art Network #17

1993

Maudie Palmer, Fantasy bathed in Irony, The Australian, December 30

1992

‘Location’ (exh. cat), ACCA and Asialink, Victoria, Australia
Richard Neville, Faces of Australia, State Library of New South Wales Press

1991

Margot Osborne, 'Breaking down the artistic cliche', The Advertiser, South Australia, 13 July

1990

Isobel Crombie and Sandra Byron, ‘Twenty Contemporary Australian Photographers’ (exh. cat), National Gallery of Victoria
Charles Green, ‘Anne Zahalka, Artforum International, December
Michelle Helmrich, Portrait of an Artist, Artists, catalogue
John Peter Nilsson, Biennale of Sydney, Astonbladt, April 21, Sweden

1989

Merryn Gates, re:Creation/Re-creation, exhibition catalogue, Monash University
Peter Weiermair, ‘Portraits’, Edition Stemmle, Zurich/Dusseldorf

1988

Pat Simons, ‘Resemblance and Displacement’, Photofile
Rainer Borgermeister, ‘Resemblance’, Art + Text, #29
Michele Helmrich, ‘Anne Zahalka, Eyeline #5, June
Susan Butler, ‘Anne Zahalka at Camerawork’, Creative Camera
Australian Bicentennial Authority and David Hansen, The Face of Australia, The Land- The Present, Fine Art Press, Sydney
Sarah Kent, Time Out, previews, May 18-25, London
Australian Photography: The 1980s, Australian National Gallery, exhibition catalogue, Melbourne Oxford University Press

1987

Resemblance, catalogue, Kunstlerhaus Bethanien, Berlin
Beatrice von Bismark, ‘Resemblance’, Dokument und Analyse, Frankfurt, June
Terry Smith, No simple way to find the Australian in Australian art, Times on Sunday, 8 November
Here and There, exhibition cat., Monash University
Gary Catalano, Mapping the Art of Australia, The Age, 13 November

1985

Martyn Jolly, Clash of Geneologies at the Future Unperfect show, On the Beach, #6 Spring
Judith Fox, Duo reworks themes to make the invisible visible, Sydney Morning Herald, 14 May

1983

Max Dupain, Let’s have a bit of pictorial blood-letting, Sydney Morning Herald, 20 December

1981

Photo-discourse, critical thought and practice in photography, Sydney College of the Arts, Sydney
Max Dupain, High Court under fire at Bondi, Sydney Morning Herald, 10 October