www.zahalkaworld.com.au

1957

Born Sydney, Australia

1976

Art Certificate, Stages 1 & 2, East Sydney Technical College

1979

Bachelor of (Visual) Arts, Sydney College of the Arts

1989

Post Graduate Diploma, Sydney College of the Arts

1994

Master Fine Arts, University of NSW, College of Fine Arts, Sydney

SOLO EXHIBITIONS

2008

Hotel Suite, Sofitel, in conjunction with Melbourne Art Fair, 1 July - 2 September
Wild Life, Arc One Gallery, Melbourne, 10 April – 3 May, 2008
Hall of Mirrors: Anne Zahalka Portraits 1987 – 2007, National Portrait Gallery, Canberra, Warrnambool Art Gallery, Victoria, Ipswich Art Gallery, Queensland, Bathurst Regional Art Gallery, New South Wales

2007

Hall of Mirrors: Anne Zahalka Portraits 1987 – 2007, Centre of Contemporary Photography, Melbourne, 23 March – 12 May
Anne Zahalka, Focus Room, Art Gallery of New South Wales, Sydney 14 March – 2 May 2007
Wild Life, Roslyn Oxley9 Gallery, Sydney 1 February – 24 February 2007

2006

Fotofreo, Fremantle Festival of Photography, Western Australia
Anne Zahalka: Wonderland, ARC One Gallery, Melbourne

2004

Natural Wonders, Roslyn Oxley9 Gallery, Sydney
Anne Zahalka: Portraits Past, Damien Minton Gallery, Newcastle, New South Wales, Australia

2003

Leisureland Regional, University of Technology Sydney, 24 June – 18 July, a Grafton Regional Gallery touring exhibition
Welcome to Sydney, Museum of Sydney, Sydney
Anne Zahalka, Maritime Museum, Sydney

2002

Leisureland, Monash Gallery of Art, Victoria, Australia
Fortresses and Frontiers, Institute of Modern Art, Brisbane, Australia
Anne Zahalka, Delmar Gallery, Trinity Grammar School, Sydney
Leisureland, New England Regional Art Gallery; Albury Regional Gallery, Albury, New South Wales; Wagga Wagga Regional Art Gallery, New South Wales, Australia

2001

Leisureland, Tamworth City Art Gallery, Tamworth; Bathurst Art Gallery; Grafton Regional Art Gallery, Australia; Hazelhurst Regional Art Gallery, Gymea, New South Wales

2000

Leisureland, Roslyn Oxley9 Gallery, Sydney
Leisureland, Manly Art Gallery and Museum, Sydney
Fortresses and Frontiers, Robert Sandelson Gallery, London, United Kingdom

1999

Leisureland, Anna Schwartz Gallery, Melbourne

1998

Woven Threads #2, Roslyn Oxley9 Gallery, Sydney
Woven Threads, Gallery 4A, Asia-Australia Arts Centre, Sydney

1997

Anne Zahalka, Galerie Alte Feuerwache, Mannheim, Germany
Woven Threads, Centre for Contemporary Photography, Melbourne

1996

Collectors, Roslyn Oxley9 Gallery, Sydney

1995

Open House, Anna Schwartz Gallery, Melbourne

1994

Gesture, Roslyn Oxley9 Gallery, Sydney

1993

Gesture, City Gallery, Melbourne
Fortresses and Frontiers, Roslyn Oxley9 Gallery, Sydney

1992

Details, City Gallery, Melbourne

1991

Details and Resemblances I, Claybrook Gallery, Auckland, New Zealand
Artists, South Australian Centre for Contemporary Art, Adelaide, South Australia

1990

Artists, City Gallery, Melbourne

1989

Resemblance I and II, Chameleon Gallery, Hobart, Tasmania
Bondi: Playground of the Pacific, Bondi Pavilion, Sydney;
Campbelltown Bi-centennial Regional Gallery, Orange Regional Art Gallery, NSW

1988

Resemblance I, Institute of Modern Art, Brisbane, Camerawork Gallery, London, UK
Resemblance I and II, 200 Gertrude Street, Melbourne

1987

Resemblance I, Kunstlerhaus Betheanien, Berlin; Australian Centre for Photography, Sydney

1986

The Wanderer upon an Castle came..., Kunstlerhaus Bethanien, Berlin, Germany
The Tourist as Theorist: (theory takes a holiday), Kino Eiszeit, International Super 8 Festival

SELECTED GROUP EXHIBITIONS

2008

50X50 Summer Show, Arc One Gallery, Melbourne, Victoria
Step Right Up, The Circus in Australian Art, Albury City touring exhibition
OIKOS, Habitacles/Habitable Places, SBC Gallery of Contemporary Art, Montreal
Basil Sellers Art Prize, Ian Potter Museum of Art, Melbourne
FX in Contemporary Art, McClelland Gallery, Victoria
Winner, Macarthur Cook Art Prize, Gallery 45, Melbourne
Silver-lined, the Arts Centre, Contemporary Artists and the Performing Arts Collection, Melbourne
Premonitions, Monash University Collection 1961–2007, McClelland Gallery, Victoria
Supercharged: the car in contemporary culture, IMA touring show – Logan Art Gallery, Redcliffe Art Gallery

2007

Wonderful World, Samstag Museum of Art, University of South Australia, Adelaide
Harbourlife: Sydney Harbour from the 1940’2 to recent times, Manly Art Gallery and Museum, New South Wales, 30 November , 2007 – 13 January, 2008
Forty Eight Hours of Visual Arts, (FEHVA), Byron Bay Festival, NSW
Glimpse: Inside Gold Coast City Art Gallery’s Collection, Gold Coast City Art Gallery, Surfers Paradise, QLD
Supercharged: the car in contemporary culture, IMA touring show - 24Hr Art, Bathurst Regional Art Gallery, Pinnacles Gallery
Three Australian Photographers: Bill Henson, Tracey Moffatt, and Anne Zahalka , GEM/Fotomuseum, Den Haag, The Netherlands, 26 May – 28 October
Winner, National Photographic Prize, Albury Regional Art Gallery
Cuisine & Country: a gastronomic venture in Australian art, Orange Regional Gallery, New South Wales, 13 April – 20 May 2007

2006

Acting the Part, Photography as Theatre, National Gallery of Canada, Ontario
Supercharged: the car in contemporary culture, Institute of Modern Art, Brisbane
Tunnel Vision, Greed & Stupidity: Reviewing Concrete Politics in Sydney, The Cross Art Projects, Kings Cross, Sydney
swell: the art in contemporary beach culture, Lake Macquarie City Art Gallery
Points of View: Australian photography 1985-95, Art Gallery of NSW, Sydney

2005

Perception, The Daryl Hewson Photographic Collection, Queensland Centre for Photography, Bulimba, QLD, Australia
Winner, 2005 Leopold Godowsky Jr. Colour Photography Awards, Photographic Resource Centre, Boston University, Boston
A Matter of Time, Tamworth Fibre Biennial, Tamworth Regional Art Gallery
Take a Good Look, Lake Macquarie City Art Gallery, New South Wales
16th Tamworth Fibre Textile Biennial, Tamworth Regional Gallery
My City of Sydney, Museum of Sydney, Sydney
2005 Josephine Ulrick & Win Schubert Photography Award,Gold Coast City Art Gallery, Queensland, Australia

2004

Supernatural Artificial: Contemporary photo-based art from Australia, curator Natalie King, Tokyo Metropolitan Museum of Photography, Tokyo, Japan, Chulanlangkorn Art Centre, Bangkok
UR IN EU: An exhibition which celebrates the ten new member nations of the European Union, Sir Hermann Black Gallery & Sculpture Terrace, University of Sydney
Isle of Refuge, (“Displaced Persons” collaboration with Sue Saxon), Flinders University City Gallery, Adelaide (Ivan Dougherty Gallery touring exhibition)
All that glitters: Contemporary visions of the Gold Coast, Gold Coast City Art Gallery, Surfers Paradise, Australia
6ft +clean: surf and art, ArtMuseum, University of South Australia Art Museum, Adelaide.
Gambling: thrills, spills & social ills, Powerhouse Museum, Sydney
<LOOK>, Newcastle Region Art Gallery, Newcastle, New South Wales
Strike a Pose, Lake Macquarie City Art Gallery, Lake Macquarie, New South Wales

2003

Fair Game: Art + Sport, NGV Response Gallery, National Gallery of Victoria, Melbourne
6ft + clean: surf + art, Manly Art Gallery, a Gold Coast City Art Gallery touring exhibition, Manly, NSW
Stellar, Centre of Contemporary Photography Fundraising Auction, Centre of Contemporary Photography, Melbourne
Photographica Australis, Asia Link touring exhibition, National Gallery of Thailand and Singapore Art Museum
Isle of Refuge, (“Displaced Persons” collaboration with Sue Saxon), Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney
Citigroup Private Bank Australian Photographic Portrait Prize, Art Gallery of New South Wales, Sydney
Gallery 4A Fundraising Exhibition, Gallery 4A, Asia-Australia Arts Centre, Sydney
On the Beach with Whiteley, Brett Whiteley Studio, Sydney
Freestyle: the Bondi Beach Cole Classic, State Library of New South Wales, Sydney
Skylounge, National Museum of Australia, Canberra
New Australiana, Perth Institute of Contemporary Art, Perth; Albury Regional Art Gallery, Albury, Australia

2002

6ft + clean: surf + art, Gold Coast City Art Gallery touring exhibition, Surfers Paradise, Australia (to 2003)
Fieldwork: Australian Art 1968 – 2002, National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003)
Photographica Australis, ARCO 2002, Sala del Canal de Isabel II, Madrid, Spain
Love at First Sight: Self-made Women, Centre for Contemporary Photography, Melbourne
2nd Sight Australian Photography in the National Gallery of Victoria, National Gallery of Victoria, Melbourne, 2002
Embrace, Contemporary Photomedia, Trinity Delmar Gallery, Sydney
The Big River Show: Murrumbidgee Riverine, Wagga Wagga Art Gallery, NSW
The First Twenty Years, Roslyn Oxley9 Gallery, Sydney
Anne Zahalka, Anne Wallace, Maryanne Lynch, Annette Bezor, Institute of Modern Art, January 31 – March 9, Fortitude Valley, Brisbane
Documenting Australians, Monash Gallery of Art, Victoria
Watermarks, Maritime Museum, Sydney

2001

Federation! But who makes the nation? Regional Galleries tour
Hermanns Art Award, Sherman Gallery, Sydney and regional tour
What John Berger Saw, Institute of Modern Art, Brisbane
New Australiana, Australian Centre for Photography, Sydney

2000

Sporting Life, Museum of Contemporary Art, Sydney
Sydney Metropolis + Suburb + Harbour, Museum of Sydney
Striking, Monash Gallery of Art, Victoria; Campbelltown City Bicentennial Art Gallery, NSW; Bendigo Art Gallery, Victoria; Mildura Art Centre, Victoria; Geelong Art Centre, Victoria
Journeys in the Dream Land, Dennis Del Favero, Jon Rhodes, Anne Zahalka, Fotogallery, Cardiff, Wales
All Stars 2000, Roslyn Oxley9 Gallery, Sydney

1999

Signature Works, Australian Centre for Photography, Sydney
What John Berger Saw, Canberra School of Art Gallery, Canberra, NSW

1998

The Body in Question, Wessel + O’Connor, New York, USA
ICONS: Pictures of the City, Galerie Fotohof, Salzburg, Austria
Unhomely, Sonje Museum of Contemporary Art, South Korea
Haimish, (homely), curated by Naomi Cass and Natalie King, The Jewish Museum, Melbourne
After the Masters, Master of Fine Arts 1993 – 1997 Selected Work, Ivan Dougherty Gallery, College of Fine Arts, Universiy of New South Wales, Sydney

1997

Distanz und Domizil, Fotographie der Gegenwart, Künsthaus Dresden, Germany
Artists in the House, Elizabeth Bay House, NSW

1994

About Face, Aspects of Australian Portraiture, c1770 - 1993, National Portrait Gallery, Canberra
Sydney Photographed, Museum of Contemporary Art, Sydney

1993

Locations, Australian Centre for Contemporary Art, Melbourne; Artspace, Sydney and Asian tour
Luminaries, Monash University Gallery, Victoria
8 x 10, Fundraising Exhibition, contemporary Art Centre, Adelaide
It’s all in the Memory, Computer Generated Prints, Art Images, Adelaide
Recent Acquisitions, Waverly City Gallery, Victoria
The Art Factor: International Exhibition of Electronic Art, FISEA, Minneapolis, USA
Parcel Post Show, Linden, Saint Kilda Art Centre, Victoria
Mal was underes, Kunstlerhaus Bethanien, Berlin, Germany (studio show).

1992

The Manipulated Image, City of Waverley Gallery, Victoria
Constructed Reality: Aspects of Contemporary Photography, National Gallery of Victoria, Melbourne
Southern Land/Empty Crossing, Camerawork Gallery, London, UK

1991

Contemporary Colour, Art Gallery of New South Wales
Fertile Ground, Griffith University College, Queensland, Australia

1990

As idle objects lie, (collaborations with Felicia Kan), First Draft (west), Sydney
The Readymade Boomerang, Biennale of Sydney, Art Gallery of New South Wales, Sydney
8 x 10 Fundraising Exhibition, South Australian Centre for Contemporary Art, Adelaide
Defective Models: Australian Portraiture 19th and 20th Centuries, Monash University Gallery, Melbourne
Twenty Contemporary Photographers, National Gallery of Victoria, Art Gallery of New South Wales & nationally
Australian Photography, City of Waverley Gallery, Victoria
100 Artists Against Animal Experimentation, Deutscher Gallery, Brunswick Street, Melbourne

1989

Re-model, George Paton Gallery, Melbourne
Collaborations, (with David O'Halloran & Brenda Ludemann), Artspace, Sydney
re:Creation/Re-creation, Monash University, Melbourne

1988

The Great Australian Art Exhibition 1788-1988, Queensland Art
Gallery, Art Gallery of Western Australia, Art Gallery of New
South Wales, Tasmanian Museum, National Gallery of Victoria, Art Gallery of South Australia
Australian Photography: The 1980s, curated by Helen Ennis, with assistance from Kate Davidson, Australian National Gallery

1987

Pure Invention, Parco Gallery, Tokyo (touring Japan & Australia)
Window to Window, Deakin University, Victoria
From the Newsagency, Kunstlerhaus Bethanien, Berlin
Fortune, George Paton Gallery, Melbourne, Ivan Dougherty Gallery,
Sydney, Institute of Modern Art, Brisbane, Contemporary Art Centre, Adelaide

1986

Suspending Belief, The Observatory, Brisbane
The Landscape Re-represented, Union Street Gallery, two person show with Geoff Kleem, Sydney
Elsewhere, Biennale of Sydney satellite exhibition
Union Street, George Paton Gallery, Melbourne
Union Street, Kelvin Grove College, Brisbane
In Full View, 20 x 24 Polaroids, Art Gallery of New South Wales, Art Gallery of Western Australia, Art Gallery of South Australia, Queensland Art Gallery
The Repeated Image, Griffith Collection, Brisbane

1985

Anniversary Exhibition, Australian Centre for Photography
Photodramas, Artspace, Sydney
Rushes, Union Street Gallery, Sydney
...outside the poem...inside the dream...a story unfolds..., Union Street Gallery,
two person show with Suzi Coyle
Curator's Choice, Developed Image Gallery, Adelaide
Photodramas, Chameleon Gallery, Tasmania

1984

Manipulated Work, Images Gallery, Sydney
Future Unperfect, Artist Space, Sydney

1983

1984 show, Images Gallery, Sydney
N.S.W. Travelling Art Scholarship, Blaxland Gallery
New Light, Australian Centre for Photography

1982

50th Anniversary of the Building of the Harbour Bridge, Art Gallery of New South Wales
Harbour Bridge Exhibition, Hogarth Gallery, Sydney
Graduating Photography, Australian Centre for Photography

1981

Four Photographers, Bondi Pavilion

1980

Aspects of Sydney, Polaroid Exhibition, students S.C.A.

COMMISSIONS

2002

Welcome to Sydney, 2002 was commissioned by Sydney Airport for its Art at Work program

PUBLIC COLLECTIONS

Australian Bicentennial Collection
Art Gallery of New South Wales
Art Gallery of South Australia
Art Gallery of Western Australia
Albury Regional Gallery
Artbank Australia
Bathurst Regional Gallery
BHP Billiton
City of Waverley Collection
Curtin University
Deutsche Bank Collection
Gold Coast Art Gallery
Griffith University Collection
Grafton Regional Art Gallery
International Polaroid Collection, USA
Jewish Museum of Australia
McArthur Cook Collection
McClelland Gallery
Monash Gallery of Art
Monash University Collection
Museum of Sydney
National Gallery of Australia
National Gallery of Victoria
National Art Gallery, Wellington, New Zealand
National Maritime Museum, Sydney
National Portrait Gallery, Canberra
Parliament House, Canberra
Sir Elton John Collection
University of Tasmania
University of Melbourne
Visart, New York
Wagga Wagga Art Gallery
Waverley Art Gallery

Winner of the Leopold Godowsk Photography Award, Boston

Development Grant, Australia Council

2000

Fellowship, Australia Council Visual Arts/Craft Board

1996

Project Grant, Australia Council Visual Arts/Crafts Board

1993

Development Grant, Visual Arts/Crafts Board, Australia Council

1991

Project Grant, Visual Arts/Crafts Board, Australia Council

1990

Development Grant, Visual Arts/Crafts Board, Sydney

1989

Bondi Pavilion Community Centre, 6 month residency, Sydney

1988

Gertrude St, 3 month residency, Melbourne

1986

Visual Arts and Crafts Board residency, Kunstlerhaus Bethanien, Berlin

SELECTED BIBLIOGRAPHY

2008

Alice McCormick and Sarah Rhodes ‘ The Artist’s Lunch’ Murdoch Books2008, pp 148 - 157
Sera Waters, ‘Wonderful World’, Eyeline, No. 65, 2008, pp. 52-54
Sylvain Campeau, ‘OIKOS Habitacles/ Habitable Places’, catalogue SBC Galerie D’Art contemporain, Quebec, March 2008, pp 68 – 71
Hotel Issue, Hotel Suite, Artichoke Magazine 24, pp 83 - 86
Stephen Haley, ‘Double Exposure: Post-photographic practice’, Photofile 84, pp38
Melbourne Art Fair July 2008, Melbourne Art Fair Foundation, pp 178 - 179

2007

Essay by Daniel Palmer and Interview by Karra Rees ‘Anne Zahalka: Hall of Mirrors’, exh. cat. Centre for Contemporary Photography, Melbourne
Karra Rees, ‘Anne Zahalka: Wild Life’, Photofile 79 Summer 2007 pp 48 - 51
Naomi Evans, ‘Anne Zahalka: Wild Life’, HEAT, no. 14, 2007, pp. 97 – 112
Helen Ennis, Photography and Australia, Reaktion Books
Jacqui Taffel, ‘Click and myth approach’, The Hot Seat, Sydney Morning Herald, April 17, 2007
Lynne Minion, ‘A clue to the setting’, in Panorama, The Canberra Times, December 22, 2007, pp. 4-5
David Ellison, ‘Anne Zahalka’, wonderful world, exhibition catalogue, celebrating the University of South Australia’s new Anne & Gordon Samstag Museum of Art, Adelaide, S.A., pp. 48-9
Olivia Poloni, “Hall of mirrors: Anne Zahalka portraits 1987 – 2007”, Art Monthly Australia, July 2007 Number 201, pp. 3 – 6. 
Art Almanac (Cover), April 2007
Suzie Attiwill “Serendipity – Inside Anne Zahalka’s Hall of Mirrors”, Artichoke, 19, 2007, p. 74
Jacqui Taffel, “Click and myth approach”, Sydney Morning Herald, 14 – 15 April 2007, pp. 4 – 5 (Spectrum).
Clara Iaccarino, ‘Wildlife’, The Sydney Morning Herald, 10-11 February 2007, p. 16 (Arts & Entertainment).
Stewart Hawkins, ‘In with the old, in with the new”, The Australian Financial Review, February 17 – 18, 2007, p. 34.
Karra Rees, ‘Anne Zahalka: Wild Life’, Photofile, #79, Summer 2007, pp. 48 - 51

2006

Lori Pauli, Editor ‘ Acting the Part’ National Gallery of Canada, Merrell Publishers Ltd Fig. 45 pp 52
Supercharged: the car in contemporary culture, exhibition catalogue, Institute of Modern Art, Brisbane
Robert Nelson, Anne Zahalka, review of Wonderland, The Age, 8 February2006
The First Post, The Online Daily Magazine, September 23, 2006http://www.thefirstpost.co.uk/index.php?menuID=0
‘Anne Zahalka’, EXIT, #23, Madrid, Spain, pp. 88 - 93
Juliette Peers, ‘Catatonic Curating’, Artlink, Vol. 26, #1, pp. 28 - 33

2005

Leslie K Brown Jennifer Uhrhane “Leopold Godowosky, Jr. Color photography awards”, In the Loupe July/August 2005 vol 29 Number 4.
Margaret Marsh, Michele Watts and Craig Malyon A.R.T. 2 practice, Oxford University Press, Melbourne 2005 p. 45

2005

‘Supernatural Artificial: Contemporary photo-based art from Australia’, Gertrude Contemporary Art Space and Asialink Centre, Victoria, Australia
Tracey Clement, “Critic’s Picks: My City of Sydney,” Sydney Morning Herald,Dec 31, 2004 – Jan 6, 005, p. 19 (Metro)

2004

The Spirit of Celebrity, Griffith Review 5, pp 97 - 110
Gael Newton, ‘Photographic Australis’, Taipei Fine Art Museum 
Ken Bolton, “Australian Women Artists: Sailing to Tahiti,” Jamini: International Arts Quarterly, November, p. 68 - 79
Robert McFarlane, “Photography: Elusive rhythms of the night,” Sydney Morning Herald (Metropolitan), Tuesday, October 5, p. 15
Dominique Angeloro, “Critic’s Picks: Anne Zahalka,” Sydney Morning Herald, Oct. 1-7, p. 27 (Metro)
Natalie King, “Anne Zahalka: Natural Worlds,” Australian Art Collector, issue 29, July – September 2004, p. 198, 199
Claire Armstrong, “Collector Profile: Dick Quan,” Art & Australia, Vol. 41 No. 4, Winter 2004, p. 615 – 617
Michael Hedger, “Timeless recreations,” The Star, Weekender, February 25, 2004
Jill Stowell, “Portrait of the artist,” The Star, Weekender, February 14 2004                                                                                                                                                                                     
Anne O’Hehir, “Anne Zahalka: How did we get to be here?,” Art & Australia, vol. 41, no. 3, Autumn 2004, p. 410 - 417

2003

Martin Jolly, ‘Writing Archives’, Art Monthly Australia, Dec 03 – Feb 04, No.166, pg 5
Peter Conrad, ‘At Home in Australia’, National Gallery of Australia, Canberra
Lara Travis, “Anne Zahalka,” See Here Now: Vizard Foundation Art Collection of the 1990s, editors Chris MacAuliffe and Sue Harvey, Ian Potter Museum of Art, Thames and Hudson (Australia) Pty Ltd, Victoria, p. 150, 151
Daniel Palmer, “Anne Zahalka,” Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, 2003, p. 68
Stuart Koop, “Same As It Ever Was: photography in the Collection,” Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, 2003, p. 40 - 44
Alasdair Foster, “Interview: Anne Zahalka,” Photofile # 69, August 2003, pp. 19 - 21
Margaret Plant, “The Journey from Field to Fieldwork 1968 – 2003,” Eyeline # 51, Autumn – Winter, 2003, p. 44 - 46
Zara Stanhope, “Take a Good Look at My Face, Love at First Sight: artists and their relationship with the camera,” Eyeline # 51, Autumn – Winter, 2003, p. 26 – 29
Dominique Angeloro, “Critics Picks: Leisureland Regional,” Sydney Morning Herald, (Metro), July 11 – 17, p. 27
Rosalie Higson, “Location is not everything,” The Australian, Friday May 30, p. 14
Peter Hill, “Focus on the Big Picture,” Sydney Morning Herald (Spectrum), May 24-25, p. 12, 13
“Anne Zahalka,” Blaze: Visual Art Writing from the Contemporary Art Centre of South Australia 1990 - 2002, CACSA, Adelaide, p. 19
Stuart Koop, “Fieldwork: Australian Art 1968 – 2002, Broadsheet, vol. 32, no. 1, March, April, May, p. 8 - 11
Julian Raxworthy, “Love at First Sight,” Photofile #68, April, p. 69, 70

2002

Charles Green, “Into the 1990s: the decay of postmodernism,” Fieldwork: Australian Art 1968 – 2002, exh. cat., National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003), p. 100 – 111
6ft + clean: surf + art, exh. cat., Gold Coast City Art Gallery touring exhibition to 2003, Surfers Paradise, Australia, Russell Storer and Daniel Palmer, “Anne Zahalka,” Big (Australia) Magazine
John McDonald, “Old Man River: The Murrumbidgee as inspiration,” The Australian Financial Review, Thursday 14 November 2002, p. 72 (Arts)
Gavin Wilson, ‘The Big River Show: Murrumbidgee Riverine’, Wagga Wagga Art Gallery
2nd Sight Australian Photography in the National Gallery of Victoria, exh. cat., National Gallery of Victoria, Melbourne, 2002, pp. 91, 96
Chris Reid, “Fortresses and Frontiers: Anne Zahalka; High Anxiety: Anne Wallace, Pyjama Girl: Maryanne Lynch, Blush: Annette Bezor - Institute of Modern Art, January 31 – March 9, Brisbane” Eyeline #48, Autumn/Winter 2002, p. 48, 49

2001

Pavel Buchler, Anne Zahalka, Theory Takes a Holiday, Portfolio, UK #31, June
Peter Anderson, Look and Learn, Eyeline
Robert McFarlane, Sydney Morning Herald, Metropolitan, 2nd Feb
Ben Genocchio, Review of Leisureland, The Australian, August 18

2000

Christopher Coppock, ‘Journeys in the Dreamland’ (exh. cat), Ffotogallery, Cardiff, Wales
‘Portfolio’, Portfolio Gallery, London, UK, No. 31, June 2000
“Anne Zahalka,” VCE Art, http://www.vceart.com/artists/zahalka/index.html
Sporting Life, catalogue, Museum of Contemporary Art, Sydney
Sydney Airport, The Art Trail: a guide to experiencing Sydney Airports’ Art at Work
Ben Genocchio, Review Leisureland, The Australian, early August
Programme, Sydney Airports Corporatio n Limited, Sydney

1999

Leisureland, Photofile, No 57, October
Courtney Kidd, Spectrum review, Sydney Morning Herald, 26th August
Anna Clabuburn, Striking, catalogue, Monash Gallery of Art collection
Peter Emmett, Sydney Metropolis + Suburb + Harbour, Museum of Sydney
Robert McFarlane, Review, Sydney Morning Herald, May 10
Sebastian Smee, Exhibitions, Sydney Morning Herald Metro, May
Robert Nelson, Focus on Photographers who click as artists, The Age, October 27
Freda Freiberg, Haimish (review), Like, No. 7, Summer

1998

Bruce James, Galleries, Sydney Morning Herald, March 10

1997

Haimish, (homely), exhibition catalogue, The Jewish Museum, Melbourne
Freda Freiberg, Anne Zahalka: Woven Threads, Photofile no. 51, August
Anne Zahalka, Collecting Insects, cat., Artists in the House
Heike Marx, Von Menschen und Dingen, Rheinpfalz, May 12
Ulrike Soltendiek, Einblicke in den Alltag, Manneheimer Morgen, March 12
Ute Aichele, Open House, Kunst, May
Christopher Allen, Art in Australia - From Colonization to Postmodernism, Thames and Hudson, London
Sarrah Preuhs, Anne Zahalka-Open House, Distanz und Domizil (cat. article), Dresden, Germany
Anne Zahalka, Woven Threads, Community Aid Abroad

1996

Martyn Jolly, Anne Zahalka - Spurs of the Moment ,Art + Text, Vol. 54 1996, pp. 62 - 65.
Peter Weiermair, Prospect-Aspects of Contemporary Photography, Edition Stemmle, Kilchberg/Zurich
Daidalos, Art Architecture Culture, Urban Habitation, #60, June

1994

Anne Zahalka, Gesture cat, Roslyn Oxley9 Gallery, Sydney
Catriona Moore, Manipulated Image, critique, Art Network #17

1993

Maudie Palmer, Fantasy bathed in Irony, The Australian, December 30

1992

‘Location’ (exh. cat), ACCA and Asialink, Victoria, Australia
Richard Neville, Faces of Australia, State Library of New South Wales Press

1991

Margot Osborne, 'Breaking down the artistic cliche', The Advertiser, South Australia, 13 July

1990

Isobel Crombie and Sandra Byron, ‘Twenty Contemporary Australian Photographers’ (exh. cat), National Gallery of Victoria
Charles Green, ‘Anne Zahalka, Artforum International, December
Michelle Helmrich, Portrait of an Artist, Artists, catalogue
John Peter Nilsson, Biennale of Sydney, Astonbladt, April 21, Sweden

1989

Merryn Gates, re:Creation/Re-creation, exhibition catalogue, Monash University
Peter Weiermair, ‘Portraits’, Edition Stemmle, Zurich/Dusseldorf

1988

Pat Simons, ‘Resemblance and Displacement’, Photofile
Rainer Borgermeister, ‘Resemblance’, Art + Text, #29
Michele Helmrich, ‘Anne Zahalka, Eyeline #5, June
Susan Butler, ‘Anne Zahalka at Camerawork’, Creative Camera
Australian Bicentennial Authority and David Hansen, The Face of Australia, The Land- The Present, Fine Art Press, Sydney
Sarah Kent, Time Out, previews, May 18-25, London
Australian Photography: The 1980s, Australian National Gallery, exhibition catalogue, Melbourne Oxford University Press

1987

Resemblance, catalogue, Kunstlerhaus Bethanien, Berlin
Beatrice von Bismark, ‘Resemblance’, Dokument und Analyse, Frankfurt, June
Terry Smith, No simple way to find the Australian in Australian art, Times on Sunday, 8 November
Here and There, exhibition cat., Monash University
Gary Catalano, Mapping the Art of Australia, The Age, 13 November

1985

Martyn Jolly, Clash of Geneologies at the Future Unperfect show, On the Beach, #6 Spring
Judith Fox, Duo reworks themes to make the invisible visible, Sydney Morning Herald, 14 May

1983

Max Dupain, Let’s have a bit of pictorial blood-letting, Sydney Morning Herald, 20 December

1981

Photo-discourse, critical thought and practice in photography, Sydney College of the Arts, Sydney
Max Dupain, High Court under fire at Bondi, Sydney Morning Herald, 10 October